ill keep you guessing
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hey god im done with enduring & surviving & undergoing.. when is it my turn to delight & savor & rejoice lol?
(via hjarta)
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JULIEN BAKER & PHOEBE BRIDGERS @ the Greek Theatre in Berkeley, CA
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PHOEBE BRIDGERS & LUCY DACUS
Photographed by Christopher Hall
Brooklyn Steel in Brooklyn, NY -
the feminine urge to be on a spaceship, just you and your dog and an impossible view
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Phoebe Bridgers, Lucy Dacus, and Julien Baker, photographed by Bella Peterson
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“We forced the stars to align. We were all on our own tour, and we’re like, ‘we really wanna make this work.’ …The most replenishing part of this project was, just, the complete trust. Everybody wanted to understand each other, and nobody was, like, pushing an agenda.” – Phoebe Bridgers
“If one person was having a thought – ‘I don’t know if this is good, it’s probably terrible’ – it was, like, ‘No! Be the boy genius! Your every thought is worthwhile, just spit it out.”– Lucy Dacus
“It’s safer to create as part of a collective. Because what you lose in control, you gain in possibilities, and input, and ideas… knowing that I can only take a third of the credit for the songs that we made makes me feel entitled to be proud of this music. I feel grateful that they were willing to be in that creative space with me and give me the ability and reason to feel that.” – Julien Baker
Happy Birthday/Anniversary, boygenius! (October 26, 2018)
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(via itsafrogeatfrogworld)
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an inexhaustive list of specific moments in pieces of classical music that make my soul leave my body
- tchaikovsky piano concerto no.1 mvmt III, the build from 4:21 to the climax at 5:06— my favorite out of all of these
- scheherazade mvmt III, when the timpani comes in at 8:02, although at 7:24 the chills start and they really don’t stop
- mahler symphony 2 mvmt I, the section from 15:38-15:55 where it feels like you’re literally descending into hell
- sibelius violin concerto mvmt I, the super impressive trill that leads into the sweep-you-off-your-feet part at 5:39
- borodin sympony 2 mvmt III, the sustained note at 5:25 in the horns
- brahms violin concerto mvmt I, 2:56 when the solo violin finally makes its entrance (although the whole build to the entrance is infinitely more satisfying if you listen from the beginning)
- the very beginning of bruckner symphony 4 mvmt I is so chilling
- dvorak cello concerto mvmt I, the lyrical horn solo at 2:10
- the very beginning of saint-saens cello concerto no.1 mvmt 1 where the solo cello just comes BARRELING in
- gliere horn concerto mvmt II, 4:13 when the horn finally gets to play the lyrical part that the strings had earlier in the mvmt
- tchaikovsky violin concerto mvmt I, 8:03 when the melody from earlier gets embellished to hell and back
- liszt mazeppa, the 3:41 pizzicato sounds cool as fuck
- mendelssohn violin concerto mvmt II, 3:51 makes my heart fucking stop
- strauss death and transfiguration, 13:55 literally always gives me chills
- shostakovich cello concerto mvmt II, 9:35 when the solo horn chimes in
- the very beginning of stravinsky firebird finale feels like you’re entering the faerie realm or some shit
- tchaikovsky symphony 5 mvmt II, the building of soft strings into the solo horn entrance at 0:48
- dvorak new world symphony mvmt IV, 0:15 when the horns and trombones come in and you want to like. charge into battle
- holst jupiter, 2:55 when the strings come in and it’s the most angelic thing you’ve ever heard in your life
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(via cinnamonsummers)
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you have to understand kittens will be tiny sometimes and that is because they are small
